AI tools already on sale must mark their output by 2 December
For makers who need to know when every generator's output carries a mark.
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ReadThe Briefing
A weekly briefing on generative film in Europe: what happened, why it matters and what is still open. Every article in the email is published here too.
Editor’s picks
22For makers who need to know when every generator's output carries a mark.
In the library
ReadFor makers who need a disclosure label for AI-made or AI-altered images
In the library
ReadFor animation writers and producers preparing a 2027 Mifa pitch
ReadFor anyone applying to the CNC for development or production money.
In the library
ReadFor makers delivering drama or documentary to these four groups.
In the library
For editors and VFX leads deciding what a film has to disclose.
In the library
ReadFor French makers weighing a claim against a video model's provider.
ReadFor anyone entering an AI short this winter: the rule sets a floor, not a ceiling.
ReadFor Spanish makers: the EU labelling duty stands while the national law restarts.
ReadFor Austrian producers with ORF money: what delivery now asks about AI.
In the library
ReadFor programmers: a generated feature judged in a main competition.
ReadFor schools running models locally: check the licence before the hardware.
ReadFor film students who want a full credited semester in generative practice.
ReadFor anyone casting, cloning a voice or recreating a real person on screen.
ReadAnimators and animation students with a short ready for spring 2027.
ReadRead before signing over 36 months of streaming rights.
ReadFor rights holders who want a say before the Commission weighs new copyright measures.
ReadFor producers, festivals and schools with a tool idea and a partner to apply with.
ReadFor programmers drafting AI rules and makers planning next year's short-film entries.
ReadThe clearest statement yet of what EuGFA means by craft.
ReadStart here if you want the arguments, not the announcements.
ReadThe disclosure rule to know before a film with generated footage is screened in Europe.
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